Composer Carlos Gutiérrez, together with artist Tatiana Lopez and a group of 100 non-professional musicians from Munich are working on a sound theater piece based on the subject of Dual Territories, including some elements of traditional Bolivian music such as collective sound displacements of instrumental groups over long distances. The cooperation with the Münchner Volkshochschule explores and questions South American and Western European perceptions of sounds and art production. Territories of perception, forms of listening and interpretation but also as contiguous acoustic spaces with deep underlying connections where syncretic processes that range indistinctly from irreconcilable pairs to intense neighboring affections occur.

After an unconventional start in Hall X, it expands into an increasingly intricate sound sculpture along the banks of the Isar river. The performance transcends mere auditory stimulation; it becomes an exploration of spaces. The musicians will play instruments built by themselves and navigate through a sonic landscape that is both rooted in tradition and unapologetically experimental, challenging preconceptions and pushing the boundaries of what is considered technically correct.