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April 21
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Manos Tsangaris

Composer (*1956), drummer, installation artist, protagonist of new music theater.
Studied under Mauricio Kagel (composition) and Christoph Caskel (percussion) at the Hochschule für Musik und Tanz Köln (HfMT). Studied under Alfonso Hüppi at the Kunstakademie Düsseldorf. Fundamentally: Research on an expanded composition term that radically places the person in the center. Examinations of the interfaces between images, sound, word, and scene – and their syntheses in a universally comprehended new music theater. Regular performances of his works at renowned international festivals (Donaueschinger Musiktage; Wittener Tage für neue Kammermusik; Belgrade International Theatre Festival (BITEF); MusikBiennale Berlin; Venice Biennale; Ultima festival in Oslo; Tonlagen Dresden; Warsaw Autumn (Warszawska Jesień). For 25 years his installative and visual works have been shown in important galleries and museums across the globe. Initiator of the congress Praemoderne in Cologne. Recipient of the Bernd Alois Zimmermann scholarship of the City of Cologne; the scholarship of Akademie Schloss Solitude Stuttgart; the art award of the Berlin Academy of Arts; and an honorary guest at Villa Massimo. Instructor of trans-disciplinary composing, director of the academy project European Center for the Arts Dresden. Lecturer at the Darmstädter Ferienkurse; professor of composition at the Hochschule für Musik Carl Maria von Weber Dresden since 2009; a member of the Berlin Academy of Arts (director of the music department since 2013); and a member of the Saxon Academy of Arts since 2010. As of 2016 co-artistic director with Daniel Ott of the Munich Biennale – Festival of New Music Theater.